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"The true spirit of raving is allowing for individuality to dissipate into a collective whole" -- Well said!

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Only when you described the shutters did I realize I actually saw this piece at Dia:Beacon, but experienced it nearly exclusively as architectural art (which I loved). The X made no sense to me but did remind me of an IMAX theater my friend worked at, who showed me the magic seat all the speakers were calibrated to.

I am a small museum guy late to and outside-looking-in on rave and dance culture, but I am curious if you’ve been to the Underground Resistance studio and DIY museum in Detroit. You basically have to knock and get lucky or text the guys behind it, but I think it (along with a whole collection of modern wunderkammers dotted across roadside America) shows how true self-curated vernacular “museumification” can work.

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Yes I love that little museum and love your description of “self-curated” — I’m thinking about expanding this essay to touch on a few other rave museums, including that one fosho 😉

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